翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

William Busnach : ウィキペディア英語版
William Bertrand Busnach

William Bertrand Busnach (7 March 1832, Paris – 20 January 1907, Paris)〔The Times, Monday, 21 January 1907; pg. 9; Issue 38235; col F ''Obituaries''〕 was a French dramatist.〔Lermina, ''Dictionnaire Biographique Illustré''; ''La Grande Encyclopédie''〕
Busnach was a nephew of the composer Fromental Halévy. His father was associated with David Ben Joseph Coen Bakri, to whom France was indebted to the amount of some twenty-odd million francs for provisions furnished to Napoleon Bonaparte in Egypt. The lawsuit lasted for more than fifty years, and Busnach and his partner were not paid in full at the end. The elder Busnach, an Algerian Jew, became a naturalised Italian in the time of the Deys, and was the first interpreter of the French army. He established himself in Paris in 1835.
William – an Italian Jew born in France of an Algerian father, with a German (European way of writing the Arabic name Boujnah is a more logic explanation) surname and an English given name – was at first employed in the customs department. He subsequently devoted himself to dramatic work, writing many plays,〔Marlo Johnston, (Madame Thomassin: pièce inédite ), pages 59–87〕 a number of which have been successful. They include: ''Les Virtuoses du Pavé'', 1864; ''Première Fraîcheur, Paris-Revue'', 1869; ''Héloïse et Abélard'', with music by Henry Litolff, 1872; ''Forte en Gueule'', ''La Liqueur d'Or'', in collaboration with A. Liorat, music by Laurent de Rillé 1873; ''Kosiki'', with Liorat, music by Alexandre Charles Lecocq, 1876 and with Albert Vanloo ''Ali-Baba'', 1887.
In 1867 Busnach assumed the direction of the Théâtre de l'Athénée, where several of his operettas (''Fleur de Thé'', etc.) were performed. His greatest successes he achieved, however, with his adaptation of celebrated novels for the stage; for example, ''L'Assommoir'', 1881; ''Nana'', 1882; ''Pot-Bouille'', 1883, all by Émile Zola; ''Le Petit Jacques'', by Jules Claretie, 1885; ''La Marchande des Quatre Saisons'', etc.〔(List of works at the Rodrigues-Henriques family site )〕
Busnach is also the author of the following novels: ''La Fille de M. Lecoq'', 1886; ''Le Petit Gosse'', 1889; ''Cyprienne Guérard'', 1895, etc.
A chapter of Vanloo's memoirs ''Sur le plateau, Souvenirs d'un librettiste'' is about Busnach, where Vanloo described his colleague as a jovial, lively man, on close terms with all Paris, and who took delight in using strong language.〔Quoted in the Opéra-Comique Dossier Pédagogique: ALI-BABA (Anne Le Nabour (2013)〕
==Notes==



抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「William Bertrand Busnach」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.